Observations: On the single roll of Ferrania P33 that I’ve shot, I saw a variety of performance characteristics both good and bad: higher levels of contrast that are on the order of what Fomapan does, inconsistent shadow brightness, very fine grain, the ability to handle very bright subjects nicely even when I had my camera pointed up toward a bright blue sky, and pleasing tonality especially with evenly-illuminated subjects. There is a silvery look to those grey tones that reminds me of Ilford FP4 Plus. I also had fun playing around with SilverFast NegaFix film profiles—photographs taken on Ferrania P33 seem to take on rather interesting characteristics depending on what scanning profile I apply. But since I look for a bit more exposure latitude and a bit less temperament, I was ultimately left feeling a little lukewarm about Ferrania P33. Sunny 16 photographers who shoot without a light meter may have some trouble deciding how to handle its somewhat oddball ASA rating of 160. Is this a slow or medium speed black and white film?