The constraint of a window frame invites the eye to look more intensely on what lies on the other side than what a wide open scene offers. Windows can even be fascinating subjects themselves.
Restaurant window. Canon EOS R8 with Canon RF 50mm f/1.8 STM lens, ISO 125, 1/60 sec., f/2.5.Flowers on a window sill. Canon EOS R8 with Nikkor-Q 135mm f/3.5 lens, ISO 160, 1/60 sec., f/4.Hotel room view, Sacramento. Nikon F with Nikkor-S 50mm f/1.4 lens, Ilford FP4 Plus 125 film, 1/1000 sec., f/2.8.Light reflected off parked car windshields. Nikon FM10 with Nikkor 50mm f/2 AI lens, Kentmere Pan 400 film, 1/250 sec., f/2.8.Two windows. Canon EOS R8 with Nikkor-S 50mm f/1.4 lens, ISO 125, 1/500 sec., f/4.Pike Place Market. Nikon F with Nikkor-S 50mm f/1.4 lens, Ilford FP4 Plus 125 film, 1/250 sec., f/8.Holiday storefront. Canon EOS M50 with Nikkor-H 50mm f/2 lens, ISO 160, 1/100 sec., f/2.8.Upper-story window. Canon EOS M50 with Nikkor-H 50mm f/2 lens, ISO 100, 1/320 sec., f/8.Mid-morning sunlight. Nikon F with Nikkor-H 50mm f/2 lens, Ilford FP4 Plus 125 film, 1/125 sec., f/8.Storefront in late afternoon sunlight. Nikon F with Nikkor-S 50mm f/1.4 lens, Rollei RPX 100 film, 1/125 sec., f/16.Private office. Nikon F with Nikkor-S 50mm f/1.4 lens, Rollei RPX 100 film, 1/125 sec., f/5.6.
