Windows

The constraint of a window frame invites the eye to look more intensely on what lies on the other side than what a wide open scene offers. Windows can even be fascinating subjects themselves.

1 / 10

Restaurant window. Canon EOS R8 with Canon RF 50mm f/1.8 STM lens, ISO 125, 1/60 sec., f/2.5.

2 / 10

Flowers on a window sill. Canon EOS R8 with Nikkor-Q 135mm f/3.5 lens, ISO 160, 1/60 sec., f/4.

3 / 10

Hotel room view, Sacramento. Nikon F with Nikkor-S 50mm f/1.4 lens, Ilford FP4 Plus 125 film, 1/1000 sec., f/2.8.

4 / 10

View from a restaurant, Sacramento. Nikon F with Nikkor-S 50mm f/1.4 lens, Ilford FP4 Plus 125 film, 1/1000 sec., f/2.8.

5 / 10

Two windows. Canon EOS R8 with Nikkor-S 50mm f/1.4 lens, ISO 125, 1/500 sec., f/4.

6 / 10

Pike Place Market. Nikon F with Nikkor-S 50mm f/1.4 lens, Ilford FP4 Plus 125 film, 1/250 sec., f/8.

7 / 10

Holiday storefront. Canon EOS M50 with Nikkor-H 50mm f/2 lens, ISO 160, 1/100 sec., f/2.8.

8 / 10

Upper-story window. Canon EOS M50 with Nikkor-H 50mm f/2 lens, ISO 100, 1/320 sec., f/8.

9 / 10

Mid-morning sunlight. Nikon F with Nikkor-H 50mm f/2 lens, Ilford FP4 Plus 125 film, 1/125 sec., f/8.

10 / 10

Private office. Nikon F with Nikkor-S 50mm f/1.4 lens, Rollei RPX 100 film, 1/125 sec., f/5.6.

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