Disaster Averted
November 21, 2023
Tags: Film Photography, Photography
I was reminded of something this morning, something that I’ve known for a long time now: eBay is insidious.
I am guilty of being a serial window shopper. I usually succeed in mustering enough discipline to resist temptation. On numerous occasions, my tendency to wring my hands over big purchases has served me well in that regard. But every now and again my curiosity gets the better of me.
Today it was an old Praktina FX camera that appeared for sale on eBay some time ago. Introduced in 1953, this interesting camera model was perhaps the first system SLR to appear on the market. Its East German manufacturer, KW, targeted the Praktina toward professional photographers. It had interchangeable viewfinders and focusing screens, a unique breech-lock lens mount, and countless accessories. (For more on the Praktina, visit Alberto Taccheo’s extensive website on the Praktina camera and Mike Eckman’s thoughtful review.)
The example I own came with my all-original 1962 Questar and has a unique modification for use with a telescope. That modification flips the reflex mirror up well before an exposure is made, thereby eliminating one source of vibration that would blur the exposure being made at high magnification. (I have much more about using a camera with a Questar telescope here.)
My Praktina FX is in near mint condition, but I can’t imagine that it’s been serviced in the recent past. I’ve always been reluctant to take it out and about and really use it.
For a while, I’ve hunted around for another example that I’d feel more comfortable with putting through the paces. Egging me on are a few other accessories that I’ve accumulated over the years, a collection that begs to be put into action.
But having put a few rolls of film through the example that I have, my logical side has always reminded me about my actual experience using it. In a nutshell, the Praktina feels downright crude compared to my Nikon F, which I use regularly. Indeed, the Nikon F deserves its reputation as a truly great camera. In contrast, the Praktina’s film advance action feels a little flimsy, it lacks an instant-return reflex mirror, its semi-automatic aperture is a bit clumsy to operate, and so on.
Old hankerings sometimes die hard, though.
Okay, so another Praktina FX is for sale on eBay, and it looks like it’s in great condition. To his credit, the seller disclosed that the shutter operates inconsistently. I would expect as much on a camera that is around 60 or 70 years old. The question is whether I could get that problem fixed.
A quick telephone conversation with the good folks at Advance Camera in Portland helped enormously. Having gotten my Nikon F serviced there earlier this year, I wouldn’t hesitate to send another camera to them for work.
I knew that, if I purchased another Praktina to use while I’m out and about, I’d mostly likely be committing myself to substantial repair costs. If those repairs aren’t possible, though, it’s better to avoid buying the camera to begin with, right? And what better way is there to make a decision along these lines than a simple phone call?
I’m glad I made that call. The gentleman on the other end of the line advised me that the shutter mechanism on those old cameras is incredibly tricky to adjust once the camera is disassembled. In light of the difficulty, they were not willing to take the camera in for repair.
That five-minute call saved me a lot of money and a lot of headaches. It also brought me to a stronger conviction that perhaps my one and only Praktina FX camera is enough for me.